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1965 born in London, lives and works in Whitstable, Kent
Adam Chodzko's work is an art of arrangements; inventing new relationships between our value and belief systems. Working directly with the people and places that surround him to produce a collective wondering, Chodzko focuses on culture's edges, endings and disappearances. He has created assemblies of owners of a particular jacket and a reunion of the children 'murdered' in a Pasolini film; a god look-alike contest; lighting technicians asked to advise on the light in heaven; a London gallery's archive given to a group of Kurdish asylum seekers to edit and hide outside the capital; and most recently, the multi-faceted 'Design for a Carnival,' the evolution of a ritual event for the future.
education
1985-88 University of Manchester, BA (Hons) History of Art
1992-94 Goldsmiths' College, London, MA Fine Art
one person exhibitions
1992. Bipasha Ghosh, London
1996. Lotta Hammer, London Milch, London Fontanella Borghese, (as part of "British Waves"),Rome.*
1997. "Recall; Strange Child", muf, Hoxton, London.
1998. Gallery II, Bradford. Northern Gallery of Contemporary Art, Sunderland. Viewpoint Gallery, Salford.
1999. Galleria Franco Noero, Turin, Italy.
1999. Ikon Gallery, Birmingham.
2000. Accedemia Britannica, Roma, Italy.
2001. Sandroni Rey Gallery, Venice, California.
2001. Franco Noero Galleria, Turin, Italy.
2001. Els Hanappe Underground, Athens, Greece.
2002. "Plan for a Spell", Fabrica, Brighton, UK.
2002. Cubitt, London
2003. Herbert Read Gallery, KIAD, Canterbury
2004. "Design for a Carnival", Els Hanappe Underground, Athens. Greece.
selected group exhibitions
1991. City Racing, London
1992. "15/1", Malania Basarab Gallery, London
1992-93. "Instructions Received", Gio Marconi, Milan.*
1993. "Making People Disappear", Cubitt Street Gallery, London.
1993. "Okay Behaviour", 303 Gallery, New York.
1993. "Wonderful Life", Lisson Gallery, London.
1993. "Season's Greetings", British Council, Prague.
1994. "High Fidelity", Kohji Ogura Gallery, (with Simon Patterson), Nagoya (January 1994); tour to Rontgen Kunst Institut, Tokyo (March-April)*
1994. "Remote Control", Royal College of Art, London
1994. "Domestic Violence", Gio Marconi, Milan
1994. "WM Karaoke", Portikus, Frankfurt
1994. "Selected Works", Galleri Nicolai Wallner, Copenhagen.
1994. "VHS", 'Nuove Sinchronie', Palazzo Liberty, Milan.
1995. "Young British Artists", Eigen and Art at IAS,London
1995. "The Fall of Man", Three Rooms and a Kitchen, Pori, Finland.
1995. "Generique", Espace 251 Nord, Brussels
1995. "Every time I see you", Galleri Nicolai Wallner, S-Malmo.
1995. "Every time I see you", Index Gallery, Stockholm.
1995. "Contained", Cultural Instructions, London
1995. "Zombie Golf", Bank, London
1995. "Kine[Kunst]" Knokke, Belgium
1995. "General Release", British Council selection for Venice Biennale, Scuola San Pasquale, Venice*
1995. "Speaking of Sofas", LEA video compilation, Soho House, London
1995. "Brilliant", Walker Arts Center, Minneapolis*
1996. "Brilliant", Contemporary Art Museum, Houston, Texas.
1996. Rotterdam Film Festival, Rotterdam
1996. "The Meaning of Life, Part 1", video screening, CCA, Glasgow, then Art Node, Sweden.
1996. "21 Days of Darkness", Transmission Gallery , Glasgow.
1996. "Perfect", Jan Mot and Oscar van den Boogaard, Brussels.
1996. "Ace", Selection from the Arts Council Collection, Hayward Gallery. London
1996. "On a Clear Day", CD Rom, ICA, London.
1997. Rotterdam Film Festival, Rotterdam.
1997. "It Always Jumps Back and Finds its Own Way", Stichting de Appel, Amsterdam.*
1997. "Parasite", Galerie de la Toison d'Or, Brussels.*
1997. "LEM", Galleri Raucci/Santamaria, Naples.
1997. "3 wege zum see", Kunstlerhaus Klagenfurt, Austria.*
1997. "Sensation", Royal Academy, London.* touring to Museum fur Gegenwart, Berlin, and Brooklyn Museum of Art, New York.
1997. "at one remove", Henry Moore Institute, Leeds.*
1998. "A to Z", Approach Gallery, London
1998. "Deception", Galerie der Stadt Schwaz, Austria.
1998. "Real Life", Gallery SALES, Rome.
1998. "Wrapped", Vestj?lands Kunstmuseum, Soro, Denmark*
1999. "Holding Court", Entwistle, London.
1999. "The Images Festival of Independent Film and Video", Toronto, Canada
1999. "Sleuth", fotogallery, Cardiff, touring to Oriel Mostyn, Llandudno, Wales and Barbican Centre, London.
1999. "The Poster Show", Gavin Brown Enterprises, New York
1999. "Hotel Utopia", Vienna, Austria*
2000. "Dreammachines" (curated by Susan Hiller), Dundee Centre for Contemporary Art, touring to Mappin Gallery, Sheffield, Camden Art Centre, London, Glyn Vivian Art Gallery, Swansea.*
2000. "Art & Facts", Galleria Franco Noero, Torino, Italia
2000. "Found Wanting", The Contemporary, Atlanta, USA
2000. "The Poster Show," The Cabinet Gallery, London.
2000. "Somewhere Near Vada", Project Art Centre, Dublin.*
2000. "Artifice," Deste Foundation, Athens.*
2000. "Waiting", Mjellby Konstgard, Sweden.*
2000. "Black Box Recorder", Museum Ludwig, Cologne, touring to Croatia, and the Czech Republic.*
2000. "Tabley", Tabley House, Cheshire.
2000. "Face On", Site Gallery, Sheffield touring to Milton Keynes Gallery, Open Eye Gallery, Liverpool and Stills, Edinburgh. *
2000. "Better Scenery" (with Peter Liversidge), Pand Paulus Gallery, Schiedam, Holland.
2000. "Places in Mind", Ormeau Baths Gallery, (with Stan Douglas and Elizabeth Macgill), Belfast.
2001. "The seat with the clearest view", Grey Matter Contemporary Art, Sydney, Australia.
2001. "Bright Paradise", 1st Auckland Triennial, Auckland Art Gallery, New Zealand.*
2001. "Night on Earth", Stadtische Ausstellungshalle Am Hawerkamp, Munster.*
2001. "Liquor", Trafo Galeria, Budapest.*
2001. "Helle Nacht," Bottmingen, Baselland.
2001. "Sacred and Profane," Mappin Art Gallery, Sheffield.*
2002. "Life is Beautiful", Laing Art Gallery, Newcastle upon Tyne. *
2002. "Tabu", Kunsthaus Basel land, Switzerland.*
2002. "Private Views," London Print Studio, London.*
2002. "Location, UK", Gimpel Fils, London.
2002. "Fabrications," Cube Gallery, Manchester.*
2002. "On a Clear Day," Sophienholm, Lyngby-Taarb?k, Denmark.*
2002. "Networks," Chapter Art Centre, Cardiff and touring to Fruitmarket Gallery, Edinburgh* and other venues across the UK.
2003. "Electric Earth," British Council curated, The State Russian Museum, St Petersburg, Russia then touring Russia.*
2003. "Micro/Macro: British Art 1996-2002", British Council curated, Mucsarnok Kunsthalle, Budapest, Hungary.*
2003. "Visonary Landscapes," Cecil Sharpe House, London.
2003. "Independence," South London Gallery.
2003. "New Space! Group Show!" Galleria Franco Noero, Torino
2003. "In Good Form," Longside Gallery, Yorkshire Sculpture Park.
2003. "Bad Behaviour," Longside Gallery, Yorkshire Sculpture Park, touring to other venues across the UK..
2004. "Off the Beaten Track", Longside Gallery, Yorkshire Sculpture Park
2004. "Tonight," Studio Voltaire, London, Sandroni Rey gallery, Los Angeles, Carlier Gebauer, Berlin
2004. "Perfectly Placed," South London Gallery
*= exhibition publication.
selected projects
1993
Project for Frieze, London, Summer, p.21
Untelevision, London, no.3 1994
1994
"Slow Down Skin Shed", in "British Art Special", The Face, no.68, May, pp.56-72
"Product Recall", I.D., Sept 1994 / The Face, no.72, September, p.31 / G Spot , Issue 12, p.5
1995
"Involva", Experience, Vol 25, no.3, p
Untitled ("Involva"), Hyperfoto, Norway, No.2, p.55,
1996
"Involva" in Jake and Dinos Fine Arts Inc.,Dazed and Confused,16, ps.78 & 84.
Interview with Georgina Starr, Tate, Issue No.6, Spring 1996.pp35-38.and "3+3" p.45.
Cover of frieze, November 1996
"Red Herring", Artist's Project, Dazed and Confused, no.27, pp.60-65.
1997
"Le Petit Prince Recall", with Pierre Huyghe, 'Mobile TV ', Dijon.
1998
"Sacred Sneaker", "Size Isn't Everything", Milk, Booth Clibborn, p.239.
1999
"Moonstruck", tate, no.18, summer, p.34-36
"A Place for The End", Birmingham, Off-site project for Ikon Gallery, Birmingham*
"Better Scenery", (Camden, London and Arizona Desert, USA) off-site project for Camden Art Centre, London
2001
"Zu spat", Material, no. 3, Summer, p.7-9,
"Cell Pace", Lo-Fi, website;
"Slipstream", Film & Video Umbrella website. www.slipstream.uk.net
"Art for All". (edited by Mark Wallinger and Mary Warnock), Peer, p64 &94
"Nothing", edited by Graham Gussin, August Publications. P98-99.
"Saturday", edited by Polly Staple, issue 1, pp16-18.
2003
'Looper' billboard project for centre of Torino, Italy, as part of Turin's "manifesTO" series accompanying 'Artissima' the Turin art fair,
bibliography: selected books and catalogues
1992
Innocence and Experience, Stichting Air, Amsterdam. Text by Andrew Wilson.
1992-93
Instructions Received, Gio' Marconi, Milan (exh cat).
1993
High Fidelity, Kohji Ogura Gallery, Nagoya, Japan. Text by James Roberts (exh cat).
1995
General Release, British Council, Venice Biennale. Texts by Gregor Muir and James Roberts
Brilliant, Walker Arts Centre, Minneapolis. Texts by Stuart Morgan, Richard Flood, and Douglas Fogle
1996
British Waves, British Festival, Rome. Text by Mario Condognato.
On a Clear Day, CD Rom, Ultraluxe Publications.
1997
It Always Jumps Back and Finds its Own Way, Stichting de Appel, Amsterdam. Texts by K. Schippers and Cosima Rainer.
"3 wege zum see", Kunstlerhaus Klagenfurt, Austria.
Sensation, Royal Academy.
at one remove, Henry Moore Institute, Leeds. Text by Penelope Curtis.
1998
Wrapped, Vestj?lands Kunstmuseum, Soro, Denmark
1999
Adam Chodzko, August publications. Texts by Jennifer Higgie and Michael Bracewell.
2000
The Saatchi Gift to the Arts Council Collection, South Bank Centre.
"Somewhere Near Vada", Project Art Centre, Dublin. Texts by Jaki Irvine and Shirley MacWilliam.
"Dream Machines" National Touring Exhibitions, Text by Susan Hiller.
"Face On", Black Dog Publishing, Text by Craig Richardson etc.
2001
" Bright Paradise", 1st Auckland Triennial, Auckland Art Gallery, New Zealand. Texts by Allan Smith, etc.
"Out of the Bubble", edited by John Carson and Susannah Silver, p.32-36.
"Night on Earth", Stadtische Ausstellungshalle Am Hawerkamp, Munster
2002
"Plans and Spells. Adam Chodzko", Film & Video Umbrella, texts by Chris Darke, Jeremy Millar, Polly Staple, Will Bradley
"Romanov," by Adam Chodzko, Bookworks.
"Speaking and Listening", Sheffield Hallam University and Site Gallery, ps. 184-193.
2003
Blog on http://www.thecentreofattention.org
"Whitstable Interiors" fanzine
2004
"Imagine this doughnut…" artist's project in "Wonderful: Visions of the Near Future,"
selected articles and reviews
1992
Andrew Wilson. "15/1", Art Monthly, London, September
"Diary", The Independent, 27 November
1993
Andrew Renton. "Adam Chodzko", Flash Art, Milan, March-April
Simon Grant. "Making People Disappear", What's On, London, 21 April
Richard Shone. "God's Bods and Odd Bods", The Observer, London, 8 August
Tom Lubbock. "Stupid like a Conceptualist", The Independent, London, 10 August
Richard Dorment. "Hypnotised by a Handful of Stars", The Daily Telegraph, London, 11 August
Simon Grant. "Wonderful Life", What's On, London, August 25
Rob Legge. "The Faces of God", The Independent on Sunday, London, 19 September, pp.40-41
James Odling-Smee. "Wonderful Life", Art Monthly, London, October, pp.26-27
Andrew Wilson. "Wonderful Life, Lisson Gallery, London", Forum International, Belgium, October-November, p.136
"It's a Wonderful Life at the Lisson", Flash Art, News, Milan, October, p.60.
Laura Cottingham, "Wonderful Life", Frieze, Issue 12, October-November, pp.56-57
Ruiko Harada, "From London", Bijutsu Techo Monthly Art Magazine, vol.45, no.678, pp.148-149
John Windsor, "Art to Hang on the TV Screen", The Independent, London, 25 September
Andrew Renton, "Wonderful Life", Flash Art, November-December, vol.XXVI, no.173, p.79
Kate Bernard, "Young Gun Conceptualists", Harpers & Queen, October
K. Levin, "Okay Behaviour", The Village Voice, July 13 "Galleries: Okay Behaviour", The New Yorker, July
David Alan Mellor, "Wonderful Life", Untitled, Winter, no.3,
1994
Julia Cassim, "Chodzko, Patterson Weak on Public Participation", The Japan Times, Sunday, Feb 13
"Museum", Our City, Japan, vol.1
"Art Logy", Cheek, Japan, no.109
"Exhibition Spot", Gallery, Japan, Issue 2
"High Fidelity", Studio Voice, Japan, vol.220, April
"High Fidelity", Pia, Tokyo, 22 March; p.19
Carl Freedman, "Acting Out/Remote Control", frieze, May, Issue 16
"The News", Galeries Magazine, no.59, Spring, pp.25, 144
James Roberts, "Out in the Real World",Bijutsu Techo, Japan, vol.46, no.688, pp.36-39
Kaori Makabe,"London Strikes Back", Bijutsu Techo, Tokyo, vol.46, no.688, pp.53-55
Ekow Eshun, "British Art Special", The Face, no.68, May, p.56-72
Hiromi Nakamura, "Photography is Already Antique", Nihon Camera, no.636, July 1994, p.137
"Informer National", The Face, no.72, September, p.31
"Wonderful Life", Nikkei Art, Japan, No.61, October 1994, p.97
Simon Grant, "Art Fairs", Art Monthly, Dec 1994-Jan 1995, p.29.
Angela Vittesse, "Domestic Violence", frieze, Oct 1994
James Roberts, "Easy Listening", frieze, Nov 1994, p.11
David Lillington, "Real Life in London", Palletten, No.219, pp.12-15
1995
Arts Council, 'Art'95' catalogue, p.89
Dave Barrett, "Contained", Art Monthly, No.186, May 1995, p.31
Joe Quigg, "Splash in Venice", Tate, No.6, Summer 1995, p.7
Daniela Bezzi, "Biennale", L'Espresso, No.23, Anno XLI, 9 June 1995, p.126.
British Council Visual Arts News, Summer 1995, No.38, p.6.
Michael Archer, "Home and Away", Art Monthly, No.188, July-August 1995,
"New Art from Great Britain", Flash Art, No.183, p.70, Summer 1995
Tony Godfrey, "Venice Biennale Report," Untitled ,p. 4, Summer 1995,
Diane Eddisford, ">alt.zombie.golf.the.earth." Mute, Issue 2, p.2, Summer 1995
William Furlong,"Venice Biennale 1995", Audio Arts, Vol.15, Nos.1&2.
David Barratt,"Zombie Golf", frieze, Issue 24, Sept/October 1995, p.74.
Simon Grant, "Playing God", Art Monthly, Sept.1995, Issue No.189, p.28 & 29.
Neville Wakefield, "Quite Brilliant", Tate, No.7, Winter 1995, ps. 33 & 39.
Richard Flood and frieze, "Smashing", frieze, Issue 25, November/December, p.34.
Elena di Raddo, "General Release", Tema Celeste, No.53-54, Milan, Autumn, p.88.
Sarah Greenberg, "Hard to Love, Impossible to Forget," Art News, Vol. 94, No.7, NY. Sept., pp130-132.
Roberta Smith, "A Show of Moderns Seeking to Shock", New York Times, November 25th, pp.B1/B6.
Maria Lind, "Vital Brittisk samtidskonst i USA", Svenska Dagbladet, 12th December
Calvin Tomkin, "London Calling", The New Yorker, p.116. December.
1996
Patricia C. Johnson, "British exhibit shows attitude", Houston Chronicle, February 15th, Section D, pp1,6.
Catherine Anspon, "brilliant", Public News, Houston, March 6th, pp.8,10
Shaila Dewan, "England's Edge", Houston Press, March 21-27, p.35.
David Bonetti, "Brilliant" , San Franscisco Examiner, April 7th.
Susan Corrigan, "Twisted Mister", ID, no.148, Jan.1996, p.10.
Kevin Jackson, "Brit Pop Art", Arena, April. p60-66,
Kate Spicer, "Nearly God", The Face, No.93, June 1996.
Patricia Bickers, "The Young Devils", Art Press, No.214, p.34.
Sarah Kent, "Adam Chodzko", Time Out, June 12th-19th, p.44.
Andrew Lambirth, "Adam Chodzko", What's On, June 12th, p.19.
Katrijn Klinger, Der Spiegel, No.24, p.212-213.
David Burrows, Art Monthly, July/August, No.198, p28-29.
Hans-Jurgen Buderer, "Between Shock and Banality", 'Dimensions', Kunsthalle Mannheim, p.82
Vito Apuleo, "Da Londra arriva a Roma un'arte post-umana" Il Messaggero, 10th June Flaminia Gennari, "Oltre Manica alla moda", il manifesto, 30th May, p.22
Andrew Wilson, "Spatialised Time, Unchecked Duration", Art and Design, Art and Film, p.85.
James Roberts, "Adult Fun", frieze, issue 31, p62-67.
1997
Hilary Alexander, "Keeping our Cool", The Daily Telegraph, January 3rd, p.13.
Godfrey Wordsdale, "Reality Bites", Artists' Newsletter, February , pp14-16
Michael Gibbs, "It Always Jumps Back and Finds Its Way, Art Monthly, p.34
Mathew Collings, "Blimey", 21, pp124,126,132-133.
Johnny Shand Kydd, Spitfire. pp 97,148.
Martin Herbert, Time Out; 'Sensation' supplement, September, p.14.
Helen Sumpter, Big Issue, October 13, 'Are You Strange?', p.32.
Charlotte Moore, Elle; Oct ; pp118-122
Tom Lubbock, "Who are they pointing at?", Independent, 18th September, Eye, p.3.
Penelope Curtis, Henry Moore Institute Foundation Review, 'At One Remove', No.5, Autumn, p.10
Teresa Macri, il manifesto, 'In cerco di ''Salo''', 8th November
Charlotte Mullins, Tate, "Reality, but not as we know it", No.13, Winter
Karen Joyner, Yorkshire Evening Post, "A highly individual view of the world",
At One Remove, 25th September.
Antonia Donajgrodzka, Yorkshire Post, Yorkshire Live, The naked truth,
At One Remove, 3rd October.
Contemporary Visual Arts, At One Remove, No.16, October
Paul Usherwood, Art Monthly, p.32, No.211, October
Mark Goodall, The Big Issue in the North, ''Space Invaders'', At One Remove,No. 184, 10-16th November
Susan Corrigan, I-D, December
1998
Tony Godfrey, Burlington Magazine, At One Remove, p.54, January.
Louisa Buck, Moving Targets, pps.150,156,170, 175, Tate, 1997
Helen Duff, City Life, a reunion of one, p.5, No.361, 5-27 August 1998.
Jonathan Jones, The Guardian, " Faces of Evil", p.12, August 18th 1998.
ID, p 165, No.180, October 1998
Christie's Contemporary, London, Oct.8/9.98, p.172.
Dazed and Confused, December 1998, No.49, p.148 and p149.
Art Monthly, Steve Bury
1999
'Adam Chodzko in discussion with Robin Rimbaud' everything , no.24, p.16-20.
'Holding Court', What's On', London, January 27th, p. 20-21
Young British Art-The Saatchi Collection; pps 17,540,105, Booth-Clibborn,
Laura Cherbini, 'I video crudeli di...' Il Giornale, Italy, 24th May Paolo Levi,
'La Mostra,' la Republica, 9th May Tema-Celeste, Adam Chodzko,' May-June Terzoocchio, No. 91, June 1999.
Rachel Withers, Preview, Artforum , May , p. 77
Robert Clark, Review, The Guardian, June 29th, p.13
Charles Darwent, 'Who do they think they are?' Independent on Sunday, July 4th
Interview with David Barrett, Art Club, Habitat, pp16-22
Interview with John Slyce, "Looking in the Wrong Place,' Dazed & Confused. August , no.57, p.100-106.
David Barrett, 'Adam Chodzko'; Art Monthly, No.229, September, p.29-31
Heidi Macleod, 'chodzko's children', I-D Magazine, August
David Vincent, 'Selective Subjects', Gallery, Express and Star, July 17th 'Commerce to Art', Hotshoe International, July/August.
'Reunion: Salo', Blocnotes, No. 17, Autumn , p, 133-137
Elisabetta Tolosano, 'Adam Chodzko,' Flash Art, October/November, No. 133,
John Slyce, 'Adam Chodzko' Flash Art International , 32; no;208, October, p.120-121.
Dawn Fulcher, 'Sleuth', Contemporary Visual Art, Issue 25, p 78-79,
John Russell Taylor, 'The Big Show: Sleuth', The Times, Metro, November 20-26, p.42
John E. McGrath, 'Sleuth', Portfolio, p.64.
Julian Stallabrass, 'High Art Lite', Verso, p66, 67
2000
'How to get back to your routes', Ham & High, 14th January.
Jonathon Jones, 'Arizona, NW3', Guardian, G2, January 15th, p.25.
ZOO, Purple House, January, p.168-169
Liliana Madeo, 'La dentista reduce di "Sal o,"' La Stampa, 18th January.
Mario Codognato, 'Cosa resta di "Sal o,"' Il Sole 24 Ore, January 30th.
Martin Herbert, 'Sleuth', Time Out, no.1539, February 16th-23rd, p.54
Michael Wilson, 'Sleuth', Art Monthly, No.234, March, p.34
Lisa Parola, 'L'artista che s'infila nella cronaca', La Stampa, March 2nd
Guido Curto, 'Art & Facts,' Flash Art, April-May.
Jerry Cullum, 'Boredom and Disgust as Art', The Atlanta Journal, April 7th.
Gideon C. Kennedy, 'Filling Want', Atlanta Press, March 24-30th, p.15.
Massimo Carboni, 'Adam Chodzko' Art Forum, 38,no;8, April, p.149.
Jonathon Jones, "Adam Chodzko" , frieze, May, no.52, p95
Mariuccia Casadio, "Personal Ads", Vogue Italia, no.597, May, p.242
Richard Cork, "Remember kids, just say no", The Times, Wednesday, October 4th 2000
Graham Parker, "Tabley", Art Monthly, no.240, October, p.42.
Michael Corris, "FaceOn", Art Monthly, no.240, October, p.30-31.
Daniel Jewesbury, "Places in Mind", Art Monthly no. 242, November. p.46.
2001
Michael Wilson, "These Days", Untitled, p.7-9, No.25, Summer 2001.
Jonathon Jones, "21st Century Arts," The Guardian 21 Sept. 2001, p. 5,
Jonathon Jones, "Drawn, quartered, hung," The Guardian 1st Nov. 2001, p. 12.
Steven Bury, "Artists' Multiples 1935-2000," p.159.
Emily King, Restart: New Systems of Graphic Design, p,95-95, Thames & Hudson.
2002
Jessica Lack, Guardian Guide, April 27th-May 3rd, p.35
Amber Cowan, The Times, Play, Critic's Choice, April 27th-May 3rd, p.24
Mark Godfrey, "Douglas Heubler," Camden Arts Centre, p.14
Helen Sumpter, Evening Standard, Hot Tickets, 26th April,
Martin Clark, Untitled, No. 28, Summer, p.59.
Dave Beech, "Location;UK", Art Monthly, No. 259, September, p.28.
Mick Robertson, Flux, No.32, Aug/Sept, p.26 & 27.
Phil Green, Memory Lanes, The Architect's Journal, October, p53.
Sally O'Reilly, 'The Games Artists Play', [a-n], November, p.24-25.
John Villani, The Arizona Republic, November 17-24, p.28. Downtowner, Arizona, November, p.2.
Deborah Sussman Susser, ' Final Cut', New Times [Az. USA], November 21-27th, p.63.
Laura Gascoigne, "Fear and Laughter," 'What's on in London," December 4th-11th, p.23.
Niru Ratnam, I-D, no. 226, Dec, p. 176.
Jessica Lack, Guardian Guide, Dec 14th-20th, p.35.
Neal Brown, "Romanov," Modern Painters, Winter, p.165.
Rachel Withers, Critics Picks, www.artforum.com/picks/place=London#picks3923.
2003
Martin Coomer, Time Out, January 8th-15th, p.51.
Dan Smith, Art Monthly, no.263, February, p.29-30.
Michael Bird, Modern Painters, Spring 2003, p.116.
Jeremy Millar, " A New Start," Visualise the Future publication.
Dan Glaister, The Guardian, May 23rd p.27.
Pablo Lafuente, ArtReview, July/Aug., p.49.
Jessica Lack, Guardian Guide, November 8th-14th, p.34.
Foundation for Contemporary Performance Arts 2002, N.Y., p.16-18.
2004
Mark Beasley, frieze, no. 82, April, p.84-85
Rachel Greene, "Internet Art," Thames and Hudson, p.206-207
awards and grants
2002. British School in Rome, Scholarship.
2003. Paul Hamlyn Foundation, London Foundation for Contemporary Performance Arts, New York (visual arts category)
collections
Tate Gallery, British Council Collection, Arts Council Collection, Contemporary Art Society Collection, Saatchi Collection, Frac Languedoc-Rousillon, Auckland City Art Gallery, Plains Arts Museum, N.D. USA, and international private collections.
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